Friday, April 8, 2011

The Tallgrass Prairie Preserve, Pawhuska, OK

I have been fascinated with the Tallgrass Prairie ever since I experienced it at the University of Wisconsin Arboretum in Madison Wisconsin.
http://uwarboretum.org/about/communities_collections/#curtis
Curtis Prairie
The world's oldest restored prairie, Curtis Prairie occupies 60 acres just south of the Arboretum Visitor Center. Many classic experiments on planting techniques and the use of fire in prairie management took place here during the 1930s and 40s. In early fall, this deep-soil tallgrass prairie has colorful displays of big bluestem grass and Indian grass, towering from 7 to 8 feet tall.
They have other types of prairies being restored there as you will see on their site. I wish I had pictures of the tallgrass. It was well over my head with tall tall grasses and interspersed with some flowering species. All I could see was grass and sky. Hard to imagine what it was like when there were huge tracts of tallgrass prairie. 
In Oklahoma we will be visiting the Tallgrass Prairie Preserve in the spring when it is filled with wildflowers and the grass is about knee-high. We will be interviewing the director of the Nature Conservancy Preserve, Bob Hamilton and learning about how they are restoring the habitat through the use of controlled burns which used to happen there frequently when it was untouched by man. They also have returned bison to the preserve, one of their natural habitats. This to me is one of the environments that modern man can not even imagine without seeing what once covered huge swaths. 
OklahomaTallgrass Prairie
Open to the Public

The Tallgrass Prairie Preserve is the largest protected remnant of tallgrass prairie left on earth. Originally spanning portions of 14 states from Texas to Minnesota, urban sprawl and conversion to cropland have left less than 10% of this magnificent American landscape. Since 1989, the Conservancy has proven successful at restoring this fully-functioning portion of the tallgrass prairie ecosystem with the use of about 2500 free-roaming bison and a "patch-burn" model approach to prescribed burning.
Biodiversity Threats in the area include habitat fragmentation and loss, current grazing and fire practices, invasive plant species such as sericea lespedeza and eastern red cedar, and stream degradation due to land management practices and soil erosion.
What the Conservancy is doing now will offer conservation-minded ranchers an alternative to traditional grazing practices. Conservancy staff have already conducted several "patch-burn" workshops with area cattle ranchers to illustrate the potential rewards of embracing this wildlife-friendly method of land management, while continuing to meet the bottom line for their cattle production operations. In addition to alternative grazing practices, The Nature Conservancy is offering to hold conservation easements for land owners who would like to ensure the preservation of their property.
Our "Patch Burn" approach utilizes prescribed burning on roughly 1/3rd of productive rangeland each year, leaving the remaining portions undisturbed by fire. Early research by Oklahoma State University indicates that the complex and mosaic plant communities produced by this "patchy" approach offers huge rewards for biodiversity. Approximately three dozen prescribed burns are conducted each year totaling 15,000 - 20,000 acres. Since 1991, over 350 prescribed burns have been conducted totaling 210,000 acres. In addition we have assisted neighboring ranches burn 170,000 acres and helped them suppress 50 wildfires.
The Tallgrass Prairie Ecological Research Station was completed in 2004. This state-of-the-art facility will offer field researchers the opportunity to conduct extended studies and initiate laboratory analysis for rangeland research. The research station will also be utilized as a workshop destination for university students, researchers and conservation professionals from across the United States.
More than three dozen research projects are active on the preserve, and 78 publications in scientific journals have been produced. An exciting "patch-burn" was initiated with Oklahoma State University in 2001 on 7,300 acres. This study is testing the wildlife, plant community and cattle gains in patch-burn versus completely burned cattle pastures. The objective is to achieve similar conservation benefits as those documented in the fire-bison unit while retaining profit margin for cattle ranchers.
  

Wednesday, April 6, 2011

Choctaw Ponies, the Choctaw Nation

Today was a very full day of scheduling and talking to people we will be interviewing and places we will visit. We will be visiting the Choctaw Nation and see how they are working hard to preserve and revive their traditions and crafts.
From the history of the Choctaw Nation:For hundreds of years before Europeans came to the United States, the Choctaw Nation was a tribe of farmers who lived in what is now the southeastern U.S. until the federal government forcibly removed most tribal members in 1830 to Southeastern Oklahoma in what became known as the “Trail of Tears.” Tribal members have overcome diversity to grow to nearly 200,000 strong, the country’s third largest tribe. The tribe’s growing business enterprises have allowed it to work to improve the lives of tribal members who have a rich tradition of serving in the military (see Code Talkers) serving their community and the State of Oklahoma.
 They are working very hard to preserve the Choctaw ponies which were forced out of the mountains of southeastern Oklahoma by clearcut logging.  Bryant Rickman has moved many of these ponies to his ranch south of  Antlers.  In addition, he leases land for the ponies from Jim Stephens.  Together, and with the help of Francine Locke Bray who is researching the history of the ponies, they are working very hard to create an environment where the ponies can thrive. Jim and Bryant are learning how to restore the forests and the grasslands on Jim’s ranch so that the ponies can once more live there as they did in the wild. Their enthusiasm for this project and the challenges and learning curve they face is very inspirational. At present the approximately 577 ponies have to be fed etc during the harsh winters rather than fending for themselves as they were able to do before clear-cutting of the forests. My next post will take us to Durant where I will speak more about the issues facing the Choctaw and who we will be interviewing and where we will be going in our quest to learn more about how they are restoring sustainability in their culture. This could be a whole documentary in and of itself. Maybe at some point we will have the opportunity to do that.
  

Monday, April 4, 2011

Scheduling the locations and interviews for our Oklahoma documentary

After doing extensive research and talking to a lot of individuals about Oklahoma we spent the weekend scheduling all the locations and individuals we will be visiting. Getting all of this scheduled is more of a challenge than anyone who has not done this could possibly imagine. We are trying to make a loop throughout the state and also work with the schedules of the people we are interviewing. Right now it looks like we will be leaving New Mexico May 4th and shooting all over Oklahoma until around May 24. We can always count on some shooting taking longer or shorter than expected and always need to be alert for the many curve balls that this kind of work sends our way. We need to be ready for anything and flexible enough to work with whatever we may encounter. It certainly is enlivening surmounting the challenges. We are often exhausted but exhilarated at the end of the day. I just love getting to visit all these exciting locations. Interviewing  is such a kick and educational for me too.
For more on the history of documentary filmmaking go to http://en.wikipedia.org/wiki/Documentary_film
Documentary film is a broad category of motion pictures intended to document some aspect of reality. A "documentary film" was originally a movie shot on film stock—the only medium available—but now includes video and digital productions that can be either direct-to-video or made for a television program. "Documentary" has been described as a "filmmaking practice, a cinematic tradition, and mode of audience reception" that is continually evolving and is without clear boundaries.[1]

Thursday, March 31, 2011

Katherine Liontas-Warren and the Wichita mountains

Donna Merkt, director of education at the Mabee-Gerrer Museum of Art that we are collaborating with on the Oklahoma documentary recommended a visit to the Wichita Mountain Refuge http://www.fws.gov/southwest/refuges/oklahoma/wichitamountains/
Established in 1901,Wichita Mountains Wildlife Refuge is one of more than 546 refuges throughout the United States managed by the Fish and Wildlife Service. The 59,020 acre Refuge hosts a rare piece of the past - a remnant mixed grass prairie, an island where the natural grasslands escaped destruction because the rocks underfoot defeated the plow.
The Refuge provides habitat for large native grazing animals such as American bisonRocky Mountain elk, and white-tailed deerTexas longhorn cattle also share the Refuge rangelands as a cultural and historical legacy species. More than 50 mammal, 240 bird, 64 reptile and amphibian, 36 fish, and 806 plant species thrive on this important refuge.
How to Get There

From I-44 take Highway 49 (exit 45). Go west 10 miles to the Refuge gate. If coming from Highway 62, take Highway 115 (Cache exit) north to the Refuge Gate. 
A map is available. You will find leaflet dispensers inside each of the Refuge gates that have maps and information. Contact Refuge Headquarters for more information or see available Google Map.
Donna also recommended an artist who draws great inspiration from them, Katherine Liontas-Warren. And I could see why as her drawings are exquisite. I love good drawing with drama, beautiful marks and deep chiarascuro. http://en.wikipedia.org/wiki/Chiaroscuro
Chiaroscuro
From Wikipedia, the free encyclopedia
Chiaroscuro (English pronunciation: /kiˌɑːrəˈskjʊəroʊ/Italian: [kjarosˈkuːro] "light-dark") in art is characterized by
 strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a
 technical term used by artists and art historians for using contrasts of light to achieve a sense of volume in
 modeling three-dimensional objects such as the human body.
See below to get a sense of her exquisite detail and go to her website www.katherineliontas.com The detail and drama in her black and white drawings is stunning. I jokingly told her that she is to rocks what I am to trees. We are going to visit her studio and then travel up into the Wichita Mountains to see some of her favorite spots where she draws inspiration and the drawings that have been done of them. I love seeing how an artist interprets the environment they love. This segment will be great fun to shoot.

Tuesday, March 29, 2011

Researching locations and interviews for our Oklahoma documentary

This morning I had a very inspiring conversation with Donna Merkt, the Director of Education at the Mabee-Gerrer Museum of Art about developing a curriculum around the principles of the Creative Native Project which has been on our 'wish list'. As well as how we would shoot her innovative educational program at the museum. I was really looking forward to working with her as she has such a novel and engaging approach to education. After talking for quite a while it became apparent that we are both on the 'same page' which is exciting. More on my research and conversations with creative individuals tomorrow as we move toward production and location shooting of our Oklahoma show beginning in May.
I have posted a picture of one of my trees from the Keystone Ancient Forest near Sand Springs, OK. It is 60"x46", graphite on panel
http://www.nature.org/ourinitiatives/regions/northamerica/unitedstates/oklahoma/placesweprotect/keystone-ancient-forest-preserve.xml

More on it soon!

Friday, March 4, 2011

Wednesday, March 2, 2011

Preston Contemporary Art Center Opening-Mesilla, NM

http://www.prestoncontemporaryart.com






PCAC Exhibition opens Friday, March 11
 Artists' Dialogue Saturday, March 12

Hello Friends of the Preston Contemporary Art Center,
We invite you to join us for the opening reception for the second PCAC Exhibition for 2011.  You'll have a chance to see new works and meet artists Kevin Box, Craig Dongoski, Fran Hardy and Suzanne Kane on Friday evening from 6:30 - 8:30 pm and at the Artists Dialogue on Saturday beginning at 1 pm.


Fran Hardy
Hardy - Planting Fields


All of Fran Hardy's work focuses on the natural world, especially native flora and its preservation. She is proficient and inventive with a wide variety of media, but her recent work focuses on large drawings on panel, often also utilizing watercolor and various acrylic mediums and grounds.  An eye for meticulous detail infuses Hardy's work, and she says that often various magical creatures and forms will make themselves known to the viewer within the twisting bark of her trees. "My early childhood was spent in the solitary pursuit of reading magic books and fairy tales, and along with my desire to save the natural world and vanishing ancient trees and flora, these forest sprites emerge unbidden and subconsciously as I draw. I enjoy the fact that like observing clouds, every viewer of my work will see different images in the gnarled bark of my trees."  With six solo museum exhibitions, two traveling shows and a 15-year retrospective, Hardy's work has reached a wide audience across the country. She has produced three educational documentaries that have aired at museums and on national television.  View a segment of one of her video presentations at the gallery.